Dylan Verrechia is an award-winning Auteur-Director, Producer, and Director of Photography with ankylosing spondylitis from Saint-Barthélemy, French West Indies. Recipient of 103 wins and 43 nominations including Grand Jury Prize for Best Narrative Feature at Slamdance for “Tijuana Makes Me Happy”, Special Jury Award for Best Mexican Feature at Morelia Film Festival for “Tierra madre”, Best Mexican Feature at Rosarito International Film Festival, and Best Director at the Swedish Academy of Motion Pictures for “La Pura Vida”, Red Nation Film Award of Excellence for Best Documentary Short at Red Nation Film Festival, Environmental, Social, Economic, Political Justice Award for Indigenous America at Latino & Native American Film Festival, and Honorable Mention for Best Mexican Documentary at Shorts México for “Kumeyaay Land”, Best Feature Children’s Advocacy at Artivist for “Kids of the Majestic”, and IFCT World Tour Award for Best Director for “The Laughter of God”. Executive Producer of Troopers Films (Audience Award for Best Documentary at Brooklyn Film Festival for “Arakimentari” directed by Travis Klose), of Palenque Filmaciones (Grand Jury Prize for Best Dramatic at Sundance for “Padre nuestro” directed by Chris Zalla), and of 25th Frame (Audience Award for Best Documentary at Milano Film Festival for “Picture Me” directed by Sara Ziff).

Verrechia Films LLC has its headquarters in Williamsburg, Brooklyn. It collaborated on “Maya and Her Lover” directed by Nicole Sylvester (Best Feature nominee at American Black Film Festival), “Sega” directed by Idil Ibrahim with Alassane Sy (Canal +, Best Narrative at BlackStar Film Festival), “Rosewood Hotels” (Weinstein Company), “A Seed of Maize” directed by Topaz Adizes (KickStart), “Homecoming” directed by Seko Shamte (Alkemist Media), “BlackCard” directed by Pete Chatmon with Dorian Missick, Simone Missick & Hisham Tawfiq (HBO, Black Lives Matter at Diversity in Cannes), “The Alley Cat” directed by Marie Ullrich (Chicago Award for Best Feature Film at Chicago Film Festival), “I Want to be an American” (Slam Collective), “ABCD: American-Born Confused Desi” directed by Martin Prakkat, “The Warrior and the Savior” directed by Sal Sorrentino (Best Cinematography at St Tropez Film Festival), “Before Dawn” directed by Yunsun Chae (Playboy), “American Florence” directed by Alessio Giorgetti (Silver Lei Award for Best Feature at the Honolulu International Film Festival), “2B” directed by Rich Kroehling with James Remar & Kevin Corrigan, “Storytelling” directed by Todd Solondz with Selma Blair, Paul Giamatti & John Goodman (Un Certain Regard nominee at Cannes), and “Payaso Hijueputa” directed by Andrés Baiz.

His company participated on the documentaries “Lift” directed by David Petersen (Best Documentary nominee at Tribeca), “499” directed by Rodrigo Reyes (The Criterion Collection & Golden Frog for Best Docudrama at Camerimage), “The Great Hack” directed by Karim Amer & Jeham Noujaim (Netflix), “The Edge of Democracy” directed by Petra Costa (Netflix), The Rolling Stones’ “Exhibitionism” (Universal ), Jay-Z’s “Fresh Empire” (FDA), “Presence” directed by Topaz Adizes with Donny Epstein (The Skin Deep), “The Act of Writing” with Sharp (Al Di Sopra), “Strictly Ballet” directed by David Petersen (Teen Vogue), “XOXO SS15: Chrissy Teigen”, Questlove’s “Food Salons”, “The Price We Pay” directed by Harold Crooks (CBC), “MyTheresaTV: Diane Kruger & Quentin Tarantino”, “Vietnam War’s Secret Negotiations” directed by Daniel Roussel (ARTE), “Mansome Series” directed by Morgan Spurlock, “The Human Scale” directed by Andreas Dalsgaard (Best Documentary at Zurich Film Festival), “Anthrax War” directed by Bob Coen (ARTE), “Comic Books Go To War” directed by Mark Daniels (NHK), “Bragging Rights: Stickball Stories” directed by Sonia Gonzalez (PBS), “Votergate” directed by Ole Schell, “The Making of Bamboozled” directed by Spike Lee & Sam Pollard, “Maestres do mamulengo” directed by Livy Rabacov (Globo TV), “Victoria’s Secret at the Tunnel” directed by Nick Jarecki, and “Squats in Paris” directed by Dave Hallworth (Greenpeace).

Verrechia Films is responsible in the making of music videos with Wu-Tang (“People Say”), Kanye West (“Wolves” with Kim Kardashian), Terence Trent D’Arby (“I Wanna Breathe”), Rihanna & Paul McCartney (“FourFiveSeconds”), Flume & Chet Faker (“Drop The Game”), Plies (“Fucking or What”), Rae Sremmurd (“Up Like Trump”), Tim Bendzko (“Programmiert”), Arty, Beck, Olu Bliss, Bronzon, The Calling, Nick Cannon, Darnaa, Deuce Eclipse, Dirty South, D Original, Gareth Emery, FKA Twigs, Cindy Lauper, Lucky Logan, Teo Macero, Paco Mendoza, Migos, Naughty By Nature, The NoJazz, Nortec Collective, Nova Heart, Plies, P Rell, Adriana Primavera, Redman, RZA, Sia, DJ South, Tetonica Castro, Thieves Like Us, Treach, DJ Vadim, Von Haze, and Yonas. Verrechia conducted interviews with Akebono Taro, Ken Alibek, Mark Anthony, Nobuyoshi Araki, Norman Baker, Wouter Basson, Simone Biles, Björk, Matt Bloom, Michael Bloomberg, Giselle Bündchen, Ramsey Clark, Hillary Clinton, Elvira, Edward Jay Epstein, Michael J. Fox, Diane von Fürstenberg, Futura, Jon Gruden, Ioan Gruffudd, Tiger Hattori, Henry Kissinger, Oscar De La Hoya, Mick Jagger, Lloyd Kaufman, Don King, Takeshi Kitano, Lenny Kravitz, Jaron Lanier, Sue Mingus, Moby, Eric Olson, Yoko Ono, Abbé Pierre, Keith Richards, Lenny S, José Saramago, Susan Sarandon, Britney Spears, Matt Stone, Dita Von Teese, Gordon Thomas, Erin Wasson, Charlie Watts, and Wim Wenders.

Verrechia shot branded content and commercials for American Express, American Idol, BMW, Corona, Doritos, Hollywood Chewing Gum, Huffington Post, Hugo Boss, Krispy Kreme, Lacoste, Mercedes, The Met, The Muppets, Only Hearts, L’Oréal, Parkchoonmoo, Philips, The Points Guy, Porsche, Reebok, Roche, Rolex, Samsung, Shiseido, Simbi, Snapple, Swarovski, Tide, and Volkswagen. Clients include Allure, AOL, ARTE, Atlantic, Bloomberg, BMG, CBGB, Condé Nast, Def Jam, Fine Line Features, Fred & Farid, Funny or Die, Fusion, Gobee, Good Machine, Goethe Institute, GQ, Havas, HGTV, Interscope, JWT, Killer Films, MGM, MTV, NCredible, New Japan Pro-Wrestling, New Line Cinema, Nylon, PBS, Picture Farm, Radical Media, RedFitz, Roc Nation, Root Capture, Slip-N-Slide, Sony Music, Spenglish, Time Warner, Troma, VH1, Vogue, Warner Bros, Warrior Poets, Webster Hall, Yahoo, Youku, and ZDF.

After the national service in France, Verrechia studied Film at Paris Nanterre University and la Cinémathèque française under Jean Rouch, and performed at Théâtre des Amandiers. He started working as a sound engineer before graduating with Honors in Film & TV from New York University, Tisch School of the Arts. He assisted fashion photographers while working as a camera assistant on union films. He speaks English, French, and Spanish. His work is defined by his strong empathy for his characters, and by his commitment to people’s singular perspectives. Verrechia created the studios Casa Kurrak in Baja California, and founded the Festival de Cine del Valle de Guadalupe®.